Runway

Dior Couture Spring-Summer 2018 Collection

01 of 72
02 of 72
03 of 72
04 of 72
05 of 72
06 of 72
07 of 72
08 of 72
09 of 72
10 of 72
11 of 72
12 of 72
13 of 72
14 of 72
15 of 72
16 of 72
17 of 72
18 of 72
19 of 72
20 of 72
21 of 72
22 of 72
23 of 72
24 of 72
25 of 72
26 of 72
27 of 72
28 of 72
29 of 72
30 of 72
31 of 72
32 of 72
33 of 72
34 of 72
35 of 72
36 of 72
37 of 72
38 of 72
39 of 72
40 of 72
41 of 72
42 of 72
43 of 72
44 of 72
45 of 72
46 of 72
47 of 72
48 of 72
49 of 72
50 of 72
51 of 72
52 of 72
53 of 72
54 of 72
55 of 72
56 of 72
57 of 72
58 of 72
59 of 72
60 of 72
61 of 72
62 of 72
63 of 72
64 of 72
65 of 72
66 of 72
67 of 72
68 of 72
69 of 72
70 of 72
71 of 72
72 of 72

Black and white were two strong points of Maria GraziaChiuri’s representation of the Dior woman. In fact, show-goers were welcomed unto a giant black and white mirrored checkerboard, hosting the Dior Couture Spring-Summer 2018 show. 

As the show kicked off, models paraded down the runway in white coats with black dots at times and black coats with white dots at other times. The geometric play with patterns was channeled through black and white striped dresses, checkered capes and white feather trimmings on black tulle. Chiuri stocked the runway with high neckline sheer dresses, beautifully upholstered with fine lines like that of a spider web. Models donned bold eye-masks to compliment the mysterious vibe that was filling up the venue. 

What would have been perceived at first as a majestically enigmatic collection – think well-structured suits, ruffled tulle dresses and feathered capes – suddenly shifted into a more colorful mode, unveiling a series of earthy-toned shimmery gowns and a striking off-the-shoulder red dress. It was not until the end that the designer shifted gears, pedaling through satin dresses and shimmery fabrics.

Seeing the world in black and white is superb and Maria Grazia Chiuri proved it ever so eloquently.

 

Cindy Menassa